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	<title>Comments on: The sky is on fire&#8230;right time, wrong place!</title>
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		<title>By: Richard Peters Photography</title>
		<link>http://www.richardpeters.co.uk/blog/2008/08/17/the-sky-is-on-fireright-time-wrong-place/comment-page-1/#comment-23</link>
		<dc:creator>Richard Peters Photography</dc:creator>
		<pubDate>Tue, 16 Sep 2008 19:22:27 +0000</pubDate>
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		<description>Thanks Chris, there was nothing to put in the image at the time which is why I was gutted. Glad you like the image though, no filters used, just straight out the camera and a bit of contrast/levels in photoshop to bring the colour back out of the RAW file.</description>
		<content:encoded><![CDATA[<p>Thanks Chris, there was nothing to put in the image at the time which is why I was gutted. Glad you like the image though, no filters used, just straight out the camera and a bit of contrast/levels in photoshop to bring the colour back out of the RAW file.</p>
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		<title>By: Chris</title>
		<link>http://www.richardpeters.co.uk/blog/2008/08/17/the-sky-is-on-fireright-time-wrong-place/comment-page-1/#comment-22</link>
		<dc:creator>Chris</dc:creator>
		<pubDate>Mon, 15 Sep 2008 22:23:59 +0000</pubDate>
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		<description>Haha, I love the checklist. &quot;Agghh!&quot; I definitely know that feeling.

Although the sky is dramatic enough to stand on it&#039;s own as an imposing image, I&#039;d say that given the direction of the light you can create a convincing composite by adding a foreground subject in black silhouette. The light and color create the perfect situation to experiment! You can superimpose some electric poles and telephone lines disappearing diagonally into the distance, a piece of someone walking past the camera (like a leg or an arm), a helicopter in the sky, etc. As long as you have a defined line and a perfectly black shape, it might work really well!

Having said all that, this is a magnificent image. What kind of filter(s) did you use?</description>
		<content:encoded><![CDATA[<p>Haha, I love the checklist. &#8220;Agghh!&#8221; I definitely know that feeling.</p>
<p>Although the sky is dramatic enough to stand on it&#8217;s own as an imposing image, I&#8217;d say that given the direction of the light you can create a convincing composite by adding a foreground subject in black silhouette. The light and color create the perfect situation to experiment! You can superimpose some electric poles and telephone lines disappearing diagonally into the distance, a piece of someone walking past the camera (like a leg or an arm), a helicopter in the sky, etc. As long as you have a defined line and a perfectly black shape, it might work really well!</p>
<p>Having said all that, this is a magnificent image. What kind of filter(s) did you use?</p>
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